
Margarete Heymann, who studied ceramics there from 1920 to 1921, and was as gifted and gutsy as her famous contemporaries. She also created an impressive body of work, yet is rarely mentioned in the many books, essays and exhibitions on the Bauhaus. Why?
“It’s a tragic story,” said Anja Baumhoff, a lecturer in art and design history at Loughborough University in England. “She was an exceptional woman, who refused to live by the rules. Her work was original, functional, very, very beautiful and remarkably advanced for its time.” The reasons for her obscurity tell us as much about why some people are cast as winners — and others as losers — in design history, as about the Bauhaus and Ms. Heymann herself.
http://www.nytimes.com/2009/11/02/arts/02iht-design02.html?ref=arts
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